In 1995 he founded Errant Bodies Press, an independent publishing house supporting work in sound art and studies, performance and poetics, artistic research and contemporary political thought. 'Lecture on Nothing,' written in 1950 and published in Incontri Musicali only in August 1959, was actually an application of the musical techniques of the time to lecture writing. And then in the nick of time, Gita Sarabhai Holland to make a recording for the Dutch. John Cage was born in Los Angeles in 1912 and by the age of 37 had been recognized by the American Academy of Arts and Letters for having extended the boundaries of music. LaBelle reflects fluently on his artistic practice, drawing attention to the social dimensions of listening and manner in which sounds, in multiple variations, play upon public spaces, and drawing connections across media and incorporate video, as well as architectural and sculptural vocabularies into an expanded field that embraces rhetorical and spatial challenges. Cage (Lecture on Nothing) - Free download as PDF File (.pdf. His work, based on performance, sound installation, recording and use of found sounds, focuses on questions of agency, community, pirate culture, and poetics, which results in a range of collaborative and para-institutional initiatives, including: The Listening Biennial and Academy (2021-), Communities in Movement (2019-), The Living School (2014-16), Oficina de Autonomia (2017), The Imaginary Republic (2014-19), Dirty Ear Forum (2013-), Surface Tension (2003-2008), and Surface Tension (1998-2002). Whether or not this recording is ‘music’ is probably debatable, but speaking for myself, I find listening to this to be not only interesting, but also very enjoyable, and although I don’t listen to it often, I still consider this to be one of my prize LPs.Brandon LaBelle is a musician, artist, writer, theorist, curator, educator and editor based in Berlin. His music and philosophical poetry has had great influence on the development of modern music since the 1940s. There is no heavy rock, rap, disco or techno, instead, you get a lot segments from classical pieces, as well as spoken word recordings, some jazz, folk and other things that are somewhat unintelligible due to all the ambient noise. Since this was recorded back in the mid-60s, the various music segments that appear on here reflect that time period. Indeterminacy ') of three given under the title ' Composition as Process ' at Darmstadt in September 1958. The page numbers in brackets in the introduction to each extract refer to that book. Obviously, ‘music’ like this isn’t for everybody, but if you enjoy this sort of thing, “Variations” makes for a great listen. The following extracts are from the book 'Silence: Lectures and Writings by John Cage' (Wesleyan University Press, 1961). I am so honored to have received this historic collectible as a gift from a dear friend. While watching the performance consider the role of silence and the audience. The entire recorded concert lasted for six hours, so this LP, “Variations IV Volume II”, contains just a segment of the original performance. 433 is John Cages best known composition in which the performer becomes the observer and the silence invites the sounds, or noises, of the space unfold for four minutes and thirty-three seconds. Cage, and his assistant David Tudor, manipulated the different record players and radios while microphones picked up street noise from outside the gallery, as well as laughter and conversation in the gallery bar room. ![]() In the fore-word to this book John Cage explains how in writing those two fundamen-tal lectures he made use of methods similar to those he. The original “Variations IV’ concert took place at an art gallery in Los Angeles. In 1949, John Cage received an award of one thousand dollars from the National Academy of Arts and Letters, and wrote his 'Lecture on Nothing' and 'Lecture on Something,' both reprinted in Silence (1961). “Variations IV” continues in that vein as we hear all of these different incongruent sounds colliding to form what might be called ‘music’ for those who want to hear it that way. Rostov premiere performance of famous work by John CageRussian translation by Olga ManulkinaVideo-art by Oleg Poty (元 Lab), Ekaterina KartushinaMusic by InE. His infamous composition “4:33”, consisted of four and a half minutes of silence which challenged the listener to notice the sounds around them as if they were listening to a piece of music. LECTURE ON NOTHING/ 115 was the way As I keep on. For those unaware of the work of John Cage, he was a clever composer who tried to find ways to change people’s perceptions of what could be considered music. ![]() ![]() If a group of humans improvising some music might be called a jazz combo, then what would you call a group of record players, radios and room microphones doing the same? You might call that John Cage’s “Variations IV”, because that is what this recording consists of, a collage of sounds that come from a couple of phonographs, some radios and some strategically placed microphones all ‘jamming’ together at the same time.
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